Richard Barrett's Urlicht
Performing the US premiere of Richard Barrett's Urlicht with Sean Dowgray and Ryan Nestor.
March 24: Bruno Ruviaro’s new solo, Notoligotoma hardyi, at Stanford University.
April 7: Music by George Crumb at Pomona College.
April 12: Music by Julius Eastman and James Tenney at Jacaranda Music.
April 23: Presenting music by John Cage at an event for Monday Evening Concerts.
May 4: Electronics for the Formalist Quartet performing the music of Katherine Young at WasteLAnd.
May 6: Solo concert at CSU-Monterey Bay performing music by Liza Lim, Thomas Meadowcroft, and Steven Takasugi.
May 10: Electronics for Autoduplicity & Aperture Duo at ArtShare.
May 20-25: WasteLAnd is in residence at Harvard University.
June 1: WasteLAnd performs at the LA Phil’s “Noon to Midnight” event. Music by Chaya Czernowin, Ann Cleare, Liza Lim, and Katherine Young.
June 6-9: Electronics for Steven Schick at the Ojai Festival.
August 3-11: A number of projects on La Jolla Summerfest; music by D. Shostokovich, G. Mahler, and Chris Cerrone.
August 4: WasteLAnd Summer Academy for Composition opening concert!
August 10: WasteLAnd Summer Academy for Composition participant premieres!
Performing the US premiere of Richard Barrett's Urlicht with Sean Dowgray and Ryan Nestor.
Performing Pierre Boulez's Le Marteau sans Maitre with a stellar ensemble of UCSD students and alumni, Matt Kline conducting.
Performing the music of James Newton with the Southeast Symphony, Anthony Parnther conducting. (Details at Southeast Symphony.)
Performing Isabel Mundry's Dufay-Bearbeitungen and Salvatore Sciarrino's Aspern Suite at Monday Evening Concerts.
Performing as xylophone soloist on Olivier Messiaen's Oiseux Exotiques with Jacaranda Music. (Details at Jacaranda.)
Performing with the Los Angeles Percussion Quartet as part of Pamela Madsen's new, evening-length work, There Will Come Soft Rains. (Details at NewMusicUSA.)
Performing Anna Thorvaldsdottir's Aura with the Los Angeles Percussion Quartet. (Details at LA Phil.)
Performing John Luther Adams' Inuksuit, staged across the US-Mexico border as part of the San Diego Symphony's "It's About Time" Festival. (Details at San Diego Symphony.)
Stanford composer Brian Ferneyhough's 75th birthday is celebrated with an evening program featuring his compositions performed by guest artists, tributes from composer colleagues, and a special appearance by Professor Ferneyhough himself (Details at Stanford.)
Performing Natacha Diels' 2.5 Nightmares for Jessie with Autoduplicity at WasteLAnd. (Details at WasteLAnd.)
Performing Thomas Meadowcroft's Plain Moving Landfill as part of a conference addressing recent percussion music. (Details at PASIC.)
Performing Brian Ferneyhough's Bone Alphabet alongside dancer Beatrice Antonie as part of Joyce Cutler Shaw's exhibition, Library Duet.
“Tones made tactile, objects made audible, noise made beautiful.” That’s how The New York Times describes Ashley Fure’s work. In her world, all materials are potent and active with lives of their own. We often take things for granted, but Fure does not. She has given them their own voice and consciousness in The Force of Things: An Opera for Objects. This wordless drama, created with her architect brother Adam Fure and International Contemporary Ensemble, “probes the animate vitality of matter.” The audience sits beneath a canopy of familiar and exotic objects, while performers spur them into action and singers, like the sirens of mythology, shout and whisper warnings, luring the audience into an entirely new way of listening. (Details at PEAK Performances.)
The Newport Contemporary Music Festival brings an ambitious rarity to the stage, Pierre Boulez’s spatially conceived Repons for large ensemble. The virtuoso solo piano, percussion, dulcimer, and harp parts are played by members of ICE who have deep experience with Boulez and his endlessly colorful idiom. The midsummer festival should be an ideal time for New England audiences to devote their ears to this masterwork.
Jacaranda presents Steve Reich's Drumming and Music for Mallet Instruments, Voices, and Organ. Details at Jacaranda.
Performing Thomas Meadowcroft's Great Knot with percussionists Fiona Digney and Benjamin Rempel.
Big Ears Festival - Knoxville, TN
Big Ears presents Michael Gordon's evening-length Timber for percussion sextet with Nief-Norf.
San Diego's eastern escarpment plunges into the vast and forbidding Sonoran desert—a true land of drought interrupted by rare and precious deluge. The desert climate lays bare the earth and its history; the vastness of time and space impress upon the senses with ecstatic clarity. Desert Visions is a journey through the desert sublime, a hallucinatory passage through geologic and spiritual time, with visions at the edge of prehistoric seas and in cavernous valleys. Curator Christopher Adler presents two of his compositions, Strata for solo celesta and Song for a Form Carved by Water for solo saxophone, along with Walk in Beauty by legend of west coast postminimalism Peter Garland, and two works that feature saxophonist Allison Adams, Christohper's colleague from the annual nief-norf Summer Festival in Knoxville, Tennessee. (Details at San Diego New Music.)
ICE presents an encore performance of Ashley Fure's The Force of Things as part of an extended residency and workshop period at the University of Michigan, where Adam Fure, the collaborator and brother of the composer, is a professor of architecture. Other activities include chamber music classes, open rehearsals, and lectures at the University of Michigan School of Music. (Details at ICEorg.org.)
WasteLAnd presents Klaus Lang's missa beati pauperes spritu. (Details at WasteLAnd.)
Violinist Erik Carlson and percussionists Christopher Clarino, Dustin Donahue, and Ryan Nestor present John Cage's Four3 as part of the SlowSD Festival of Slow Music. (Details at SlowSD.)
Join us in celebrating John Fonville's more than 30 years in UC San Diego's Department of Music. His former students from across the globe present a concert of his works and works dedicated to him, including a re-creation of the original choreography to Fonville's "Music for Sarah" by Austin based dancer Sarah Brumgart. Other special guests include Lisa Cella, Anne La Berge, Batya MacAdam-Somer, Reiko Manabe, Elizabeth McNutt, Jane Rigler, Christine Tavolacci, Berglind María Tómasdóttir, and Ine Vanoeveren.